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Ran Hwang Art
Written by Helen   
Monday, 14 May 2012

"I create large icons such as a Buddha or a traditional vase, using materials from the fashion industry. The process of building large installations are time consuming and repetitive and it requires manual effort which provides a form of self-meditation. I hammer thousands of pins into a wall like a monk who, facing the wall, practices Zen. My works are divided into two groups. In the first, pins are used to hold buttons remain free to move and suggest the genetic human tendency to be irresolute. I choose buttons, which are as common and ordinary as human beings. In the second group of works, a massive number of pins connect yards of thread creating a negative space of the presented images, threads suggesting connections between human beings and a communication network between seemingly unlinked human experiences. The filled negative space in the absence of the positive space suggests mortality at the heart of self-recognition."

~ Ran Hwang

 

Sweet In Yean

 

 

 

 

 

Garden of Water

 

 

 

 

 

East Palace

 

 

 Garden of Water

 

 

East Wind from Old Palace 

 

 

Empty me

 

 

 

 

 

 

 

 

 Whimsical Dream

 

 

Another soaring

 

 

Reality Game 

 

 

The Rest

 

 

 Dreaming of Joy

 

 

 

 

 

Artist: Ran Hwang


Rashad Alakbarov Paints with Shadows and Light


Wire Sculptures by Gavin Worth


Paper Sculpture by Calvin Nicholls


Susan Labouri - Wildlife Artist


 

 

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Copyright (C) 2007 Alain Georgette / Copyright (C) 2006 Frantisek Hliva. All rights reserved.

 
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